Every Breath You Take by The Police uses the same chord sequence as Stand By Me — but not all the way through. And the chords are modified by adding the major second.
It’s often played in the key of A (or Aflat), using some stretchy chords. But I’ve seen Sting play it in G using open chords.
|.1.&.2.&.3.&.4.&.|.1.&.2.&.3.&.4.&.| |-----------------|-----------------| |---------0-------|---------0-------| |-----2-----2---2-|-----2-----2---2-| |---0---0-----0---|---0---0-----0---| |-----------------|-----------------| |-3---------------|-3---------------| Gadd2
|.1.&.2.&.3.&.4.&.|.1.&.2.&.3.&.4.&.| |-----------------|-----------------| |-----------------|-----------------| |-------0---------|-------0---------| |-----4---4---4---|-----4---4---4---| |---2-------2---2-|---2-------2---2-| |-0---------------|-0---------------| Em add 2
|.1.&.2.&.3.&.4.&.|.1.&.2.&.3.&.4.&.| |-----------------|-----0-----------| |-----3---1-------|---------3-------| |---0---0---0---0-|---2---2---2---2-| |-------------2---|-0-----------0---| |-3---------------|-----------------| |-----------------|-----------------| C D
|.1.&.2.&.3.&.4.&.|.1.&.2.&.3.&.4.&.| |-----------------|-----------------| |-------0---------|-------0---------| |-----2---2---2---|-----2---2---2---| |---0-------0---0-|---0-------0---0-| |-----------------|-----------------| |-3---------------|-3---------------| G add 2
Another way through the chords is to pick the bass note, then strum a block of notes. EG: Using the same chords, but in a slightly longer sequence.
|.1.&.2.&.3.&.|.1.&.2.&.3.&.|.1.&.2.&.3.&.|.1.&.2.&.3.&.| |-------------|-------------|-------------|-------------| |-----0---0---|-----0---0---|-------------|-------------| |-----2---2---|-----2---2---|-----0---0---|-----0---0---| |-----0---0---|-----0---0---|-----4---4---|-----4---4---| |-------------|-------------|-----2---2---|-----2---2---| |-3-----------|-3-----------|-0-----------|-0-----------|
|.1.&.2.&.3.&.|.1.&.2.&.3.&.|.1.&.2.&.3.&.|.1.&.2.&.3.&.| |-------------|-------------|-------------|-------------| |-----0---0---|-----0---0---|-------------|-------------| |-----2---2---|-----2---2---|-----0---0---|-----0---0---| |-----0---0---|-----0---0---|-----4---4---|-----4---4---| |-------------|-------------|-----2---2---|-----2---2---| |-3-----------|-3-----------|-0-----------|-0-----------|
|.1.&.2.&.3.&.|.1.&.2.&.3.&.|.1.&.2.&.3.&.|.1.&.2.&.3.&.| |-------------|-------------|-------------|-------------| |-----3---1---|-----3---1---|-----3-------|-----3-------| |-----0---0---|-----0---0---|---------2---|---------2---| |-----2---2---|-----2---2---|-0-----------|-0-----------| |-3-----------|-3-----------|-------------|-------------| |-------------|-------------|-------------|-------------|
Here’s a MIDI file for Turnaround Waltz.
There are bonus points for anyone who spots where the lead riffs where taken from. The middle part gives it away, I think. So, okay… only ONE bonus point, then.
Unfortunately — in spite of the source of the riffs — the result is Easy Listening. Oh well.